disability
"Operatori culturali per l'inclusione"
The "Operatori culturali per l'inclusione" project was created to train museum and cultural service staff in inclusive approaches, promoting culture as a heritage accessible to all. The initiative enhances relational skills and knowledge about disabilities, combining theoretical, workshop, and practical training. Follow-up research has highlighted a real change in attitudes and organizational processes, making structures more inclusive. The model, shared and replicable, confirms how inclusion and participation are inseparable from the quality of the cultural experience.

Breaking down relational barriers in access to cultural places
The article addresses the theme of accessibility to cultural places as a fundamental right of people with disabilities, also enshrined by the UN Convention on the Rights of Persons with Disabilities. It highlights the shift from a person-centered view to an environmental perspective, in line with the ICF 2001, which assigns a decisive role to the context. Alongside architectural and sensory barriers, the text explores relational barriers, often invisible but strongly impactful. Problematic attitudes of cultural operators, such as pity, infantilization, and paternalism, are analyzed, emphasizing the need to overcome them. Finally, training on communication and relational skills is proposed as a key lever to build truly inclusive and participatory contexts.
Accessibility to cultural heritage and visual impairment
The article analyzes cultural accessibility for people with visual disabilities, highlighting how an inclusive approach requires attention to all aspects of the experience, from reception to the tactile and visual perception of the works. The importance of tools such as tactile paths, maps and models, relief reproductions, braille captions, and QR codes with audio descriptions is emphasized, along with clear and detailed indications on language and orientation. The design must consider different visual conditions and individual needs, offering reasonable accommodations and personalized support. Essential is the direct involvement of people with disabilities in the design and evaluation of the paths. The goal is to ensure a meaningful, enriching, and accessible cultural experience for all visitors.
Easy to Read: improving accessibility in cultural places and beyond
The article presents the Easy to Read language as a textual simplification tool designed to make information accessible to people with reading difficulties, particularly those with intellectual disabilities. After illustrating its origin and principles, the text describes the main guidelines for writing: simple vocabulary, short sentences, clear structure, consistent use of images, and readable layout. The validation process is also explained, which directly involves people with intellectual disabilities in verifying communicative effectiveness. The article highlights the value of Easy to Read in cultural venues, where it can be applied to captions, guides, and orientation information. In this perspective, linguistic simplification becomes not only a technical tool but also an inclusive practice that recognizes the universal right to understand information.
The State Tactile Museo Omero
Established in 1993 and officially recognized by the Italian Parliament as a State Museum in 1999, the Museo Omero is an inclusive cultural space for everyone.
"Design & Disability" at the Victoria and Albert Museum in London
Design and Disability overturns the view that confines people with disabilities to passive users, showcasing their contribution to the history of design and contemporary culture from the 1940s to the present day.